General American English, known in linguistics simply as General American (abbreviated GA or GenAm), is the umbrella accent of American English used by a majority of Americans, encompassing a continuum rather than a single unified accent. It is often perceived by Americans themselves as lacking any distinctly regional, ethnic, or socioeconomic characteristics, though Americans with high education, or from the (North) Midland, Western New England, and Western regions of the country are the most likely to be perceived as using General American speech.[Labov, William; Ash, Sharon; Boberg, Charles (1997). " A National Map of the Regional Dialects of American English" and " Map 1". Department of Linguistics, University of Pennsylvania. "The North Midland: Approximates the initial position|Absence of any marked features"; "On Map 1, there is no single defining feature of the North Midland given. In fact, the most characteristic sign of North Midland membership on this map is the small black dot that indicates a speaker with none of the defining features given"; "Map 1 shows Western New England as a residual area, surrounded by the marked patterns of Eastern New England, New York City, and the Inland North. ... No clear pattern of sound change emerges from western New England in the Kurath and McDavid materials or in our present limited data."][ See also: map.] The precise definition and usefulness of the term continue to be debated, and the scholars who use it today admittedly do so as a convenient basis for comparison rather than for exactness. Some scholars prefer other names, such as Standard American English.
Standard Canadian English accents may be considered to fall under General American, especially in opposition to the United Kingdom's Received Pronunciation. Noted phonetician John C. Wells, for instance, claimed in 1982 that typical Canadian English accents align with General American in nearly every situation where British and American accents differ.
Consonants
A table containing the
consonant is given below:
+ Consonant phonemes in General American
!
! colspan="2" | Labial consonant
! colspan="2" | Dental
! colspan="2" | Alveolar
! colspan="2" | Post- alveolar
! colspan="2" | Palatal
! colspan="2" | velar consonant
! colspan="2" | Glottal |
|
|
|
|
|
Pronunciation of R
The
phoneme is pronounced as a postalveolar approximant or retroflex approximant , but a unique "bunched tongue" variant of the sound is also associated with the United States, perhaps mostly in the Midwest and the South. All these variants exhibit various degrees of
labialization and pharyngealization.
Rhoticity
Full rhoticity (or "R-fulness") is typical of American accents, in which is pronounced in all historical environments spelled with the letter . This includes in syllable-final position or before a consonant, such as in
pearl,
car and
fort, whereas most speakers in England do not pronounce this in these environments and so are called non-rhotic.
Non-rhotic American accents, such as some accents of Eastern New England, New York City, and African-Americans, and a specific few (often older ones) spoken by Southerners, are often quickly noticed by General American listeners and perceived as sounding especially ethnic, regional, or antiquated.
[Wolchover, Natalie (2012). " Why Do Americans and Brits Have Different Accents?" LiveScience. Purch.]
Rhoticity is common in most American accents despite being now rare in England because, during the 17th-century British colonization of the Americas, nearly all dialects of English were rhotic, and most English in North America simply remained that way. The North American preservation of rhoticity was also supported by waves of rhotic-accented Scotch-Irish immigrants, most intensely during the 18th century, when this ethnic group eventually made up one-seventh of the colonial population, plus smaller waves during the following two centuries. Scotch-Irish settlers spread from Delaware and Pennsylvania throughout the larger Mid-Atlantic region, the inland regions of both the South and North, and throughout the West: American dialect areas that were all uninfluenced by upper-class non-rhoticity and that consequently have remained consistently rhotic.[Wolfram, Walt; Schilling, Natalie (2015). American English: Dialects and Variation. John Wiley & Sons. pp. 103–104.] While non-rhoticity spread on the East Coast (perhaps first in imitation of early 19th-century London speech), even the East Coast has gradually begun to restore rhoticity, due to it becoming nationally prestigious since the mid-20th century.
Yod dropping after alveolar consonants
Dropping of the consonant (the sound of the
y in
yes or
you) after another consonant, known as
yod dropping in linguistics, is much more extensive in American accents than in most of England. In most North American accents, is "dropped" or "deleted" in stressed syllables after all alveolar and dental consonants (that is: everywhere except after /p/, /b/, /f/, /h/, /k/, and /m/), so
new, Tuesday, assume, duke are pronounced , , , (compare with British , , , . This applies also to syllables often transcribed with the secondary stress mark by American linguists, as in
avenue . In unstressed syllables (as in
menu ), however, is retained, as in most British accents.
T glottalization
is normally pronounced as a [[glottal stop]] when both after a vowel (or a [[liquid|liquid consonant]]) and before a syllabic or any non-syllabic consonant, as in ''button'' and ''fruitcake'' . Similarly, in absolute final position after a vowel or liquid, is replaced by, or simultaneously articulated with, glottal constriction:[Seyfarth, Scott; [[Garellek, Marc|Marc Garellek]] (2015). "[https://pages.ucsd.edu/~mgarellek/files/Seyfarth_Garellek_2015_ICPhS.pdf Coda glottalization in American English]". In ICPhS. University of California, San Diego, p. 1.] thus, ''what'' may be transcribed as and ''fruit'' as . (This innovation of [[/t/ glottal stopping|T-glottalization]] occurs in many British English dialects as well.)
T and D flapping
The consonants and become a
alveolar flap both after a vowel or and before an unstressed vowel or a syllabic consonant other than . Common example words include
later ,
party and
model . Flapping thus results in pairs of words such as
ladder/latter, metal/medal, and
coating/coding being pronounced the same. Flapping of or before a full stressed vowel is also possible but only if that vowel begins a new word or morpheme, as in
what is it? and twice in
not at all . Other rules apply to flapping, to such a complex degree in fact that flapping has been analyzed as being required in certain contexts, prohibited in others, and optional in still others.
[Vaux, Bert (2000_. "Flapping in English." Linguistic Society of America, Chicago, IL. p .6.] For instance, flapping is prohibited in words like
seduce ,
retail , and
monotone , yet optional in
impotence .
Both intervocalic and may commonly be realized as (a nasalized alveolar flap) (flapping) or simply , making winter a homophone with winner in fast or informal speech.
Pronunciation of L
England's typical distinction between a "clear L" (i.e. ) and a "dark L" (i.e. ) is much less noticeable in nearly all dialects of American English; it is often altogether absent,
with all "L" sounds tending to be "dark", meaning having some degree of
velarization, perhaps even as dark as (though in the initial position, perhaps less dark than elsewhere among some speakers). The only notable exceptions to this "dark L" today are in some Spanish-influenced American English varieties (such as East Coast Latino English) which can show a clear "L" in
and intervocalically.
Wine–whine merger
Word pairs like
wine/whine, wet/whet, Wales/whales, wear/where, etc. are
, in most cases eliminating , also transcribed , the voiceless labiovelar fricative. However, scatterings of older speakers who do not merge these pairs still exist nationwide, perhaps most strongly in the South. This merger is also found in most modern varieties of
British English.
Vowels
The 2006
Atlas of North American English surmises that "if one were to recognize a type of North American English to be called 'General American'" according to data measurements of vowel pronunciations, "it would be the configuration formed by these three" accent regions: (Standard) Canada, the American West, and the American Midland.
The following charts present the vowels that converge across these three dialect regions to form an
markedness or generic American English sound system.
Vowel length
Vowel length is not
phoneme in General American, and therefore vowels such as are customarily transcribed without the length mark.
[Some British sources, such as the Longman Pronunciation Dictionary, use a unified symbol set with the length mark, , for both British and American English. Others, such as The Routledge Dictionary of Pronunciation for Current English, do not use the length mark for American English only.] Phonetically, the vowels of GA are short when they precede the fortis consonants within the same syllable and long elsewhere. (Listen to the minimal pair of .) All unstressed vowels are also shorter than the stressed ones, and the more unstressed syllables follow a stressed one, the shorter it is, so that in
lead is noticeably longer than in
leadership. (See Stress and vowel reduction in English.)
Vowel tenseness
are considered to compose a [[natural class]] of [[tense|Tenseness]] pure vowels ([[monophthongs]]) in General American. All of the tense vowels except and can have either monophthongal or diphthongal pronunciations (i.e. vs ). The diphthongs are the most usual realizations of and (as in ''stay'' and ''row'' , hereafter transcribed without the diacritics), which is reflected in the way they are transcribed. Monophthongal realizations are also possible, most commonly in unstressed syllables; here are audio examples for ''potato'' and ''window'' . In the case of and , the monophthongal pronunciations () are in [[free variation]] with diphthongs (). As indicated in above phonetic transcriptions, is subject to the same variation (also when monophthongal: ), but its mean phonetic value is usually somewhat less central than in modern Received Pronunciation (RP). varies between back and central .
Assigning of tense vowels to loanwords
The class of tense pure vowels manifests in how GA speakers treat recent
, particularly borrowed in the last century or two, since in the majority of cases stressed syllables of foreign words are assigned one of these six vowels, regardless of whether the original pronunciation has a tense or a lax vowel. An example of this phenomenon is the Spanish word
macho, Middle Eastern (for instance Turkish) word
kebab, and German name
Hans, which are all pronounced in GA with the tense , the vowel, rather than lax , the vowel, as in Britain's Received Pronunciation (which approximates the original languages' pronunciation in using a lax vowel).
Pre-nasal tensing
For most speakers, the short
a sound as in or , which is not normally a tense vowel, is pronounced with tensing—the tongue raised, followed by a centering
diphthong—whenever occurring before a
nasal stop (that is, before , and, for many speakers, ).
[Boberg, Charles (Spring 2001). "Phonological Status of Western New England". American Speech, Volume 76, Number 1. pp. 3–29 (Article). Duke University Press. p. 11: "The vowel is generally tensed and raised ... only before nasals, a raising environment for most speakers of North American English".] This sound may be broadly phonetically transcribed as (as in and ), or, based on one's own
idiolect or regional accent, variously as or . In the following audio clip, the first pronunciation is the tensed one for the word
camp, much more common in American English than the second, which is more typical of British English . Linguists have variously called this "short
a raising", "short
a tensing", "pre-nasal /æ/ tensing", etc.
Tense vowels before L
Before dark in a
syllable coda, and sometimes also are realized as centering diphthongs . Therefore, words such as
peel and
fool are often pronounced and .
, , , and vowels
Unrounded
The American phenomenon of the vowel (often spelled in words like
box, don, clock, notch, pot, etc.) being produced without
rounded vowel, like the vowel, allows the two vowels to unify as a single
phoneme usually transcribed in IPA. A consequence is that some words, like
father and
bother, rhyme for most Americans. This
father-bother merger is widespread throughout the country, except in northeastern New England English (such as the
Boston accent), the Pittsburgh accent, and variably in some older New York accents, which may retain a rounded articulation of
bother, keeping it distinct from
father.
– merger in transition
The vowel in a word like versus the vowel in are undergoing a merger, the
cot–caught merger, in many parts of North America, but not in certain regions. American speakers with a completed merger pronounce the two historically separate vowels with the same sound (especially in the
American West,
Great Plains region, northern
New England,
West Virginia and western Pennsylvania), but other speakers have no trace of a merger at all (especially middle-aged or older speakers in the
American South, the Great Lakes region, southern New England, and the Philadelphia–Baltimore and New York metropolitan areas) and so pronounce each vowel with distinct sounds . Among speakers who distinguish between the two, the vowel of
cot is often a
central vowel or slightly-advanced
back vowel , while is pronounced with more rounded lips and possibly phonetically higher in the mouth, close to or . Furthermore, there are dialectal differences regarding the amount of rounding of , with speakers from Baltimore, New York and Philadelphia having a more rounded vowel than other dialects. Among speakers who do not distinguish between them, thus producing a
cot–caught merger, usually remains a back vowel, , sometimes showing lip rounding as . Therefore, even mainstream Americans vary greatly with this speech feature, with possibilities ranging from a full merger to no merger at all. In the West, for instance, , , , and are all typically pronounced the same, falling under one phoneme. A transitional stage of the merger is also common in scatterings throughout the United States, most consistently in 1990s and early 2000s research in the American Midlands lying between the historical dialect regions of the North and the South. Meanwhile, younger Americans, in general, tend to be transitioning toward the merger. According to a 2003 dialect survey carried out across the country, about 61% of participants perceived themselves as keeping the two vowels distinct and 39% do not.
[Vaux, Bert; Golder, Scott (2003). " Do you pronounce 'cot' and 'çaught' the same?" The Harvard Dialect Survey. Cambridge, MA: Harvard University Linguistics Department.] A 2009 follow-up survey put the percentages at 58% non-merging speakers and 41% merging.
[Vaux, Bert; Jøhndal, Marius L. (2009). " Do you pronounce "cot" and "caught" the same?" Cambridge Online Survey of World Englishes. Cambridge: Cambridge University.]
– split
American accents that have not undergone the
cot–caught merger (the
and ) have instead retained a
Lot-cloth split: a 17th-century distinction in which certain words (labeled as the
lexical set) separated away from the set. The split, which has now reversed in most British English, simultaneously shifts this relatively recent set into a merger with the (
caught) set. Having taken place prior to the unrounding of the
cot vowel, it results in lengthening and perhaps raising, merging the more recently separated vowel into the vowel in the following environments: before many instances of , , and particularly (as in
Austria, cloth, cost, loss, off, often, etc.), a few instances before (as in
strong, long, wrong), and variably by region or speaker in
gone,
on, and certain other words.
and vowels
The phonetic quality of () varies in General American. It is often an (advanced) open-mid back unrounded vowel : . Many Midland, Southern, African-American, and younger speakers nationwide pronounce it somewhat more centralized in the mouth.
Also, some scholars analyze to be an allophone of (the unstressed vowel in words like , banana, oblige, etc.), that surfaces when stressed, so and may be considered to be in complementary distribution, comprising only one phoneme.
in special words
The vowel, rather than the one in (as in Britain), is used in
function words and certain other words like
was, of, from, what, everybody, nobody, somebody, anybody, and, for many speakers
because and rarely even
want, when stressed.
[According to Merriam-Webster Collegiate Dictionary, Eleventh Edition.]
Pre-voiceless raising
Many speakers split the sound based on whether it occurs before a voiceless consonant or not. Thus, in
rider, it is pronounced , but in
writer, it is raised and potentially shortened to (because is a voiceless consonant while is not). Thus, words like
bright, hike, price, wipe, etc. with a following voiceless consonant (such as ) use a raised vowel sound compared to
bride, high, prize, wide, etc. Because of this sound change, the words
rider and
writer , for instance, remain distinct from one another by virtue of their difference in height (and length) of the diphthong's starting point (unrelated to both the letters
d and
t being pronounced in these words as alveolar flaps ). The sound change also applies across word boundaries, though the position of a word or phrase's stress may prevent the raising from taking place. For instance, a
high school in the sense of "secondary school" is generally pronounced ; however, a
high school in the literal sense of "a tall school" would be pronounced . The
sound change began in the Northern, New England, and Mid-Atlantic regions of the country, and is becoming more common across the nation.
Many speakers outside of General American areas in the Inland North, Upper Midwestern, and Philadelphia dialect areas raise before voiced consonants in certain words as well, particularly , and . Hence, words like tiny, spider, cider, tiger, dinosaur, beside, idle (but sometimes not idol), and fire may contain a raised nucleus. The use of , rather than , in such words is unpredictable from the phonetic environment alone, but it may have to do with their acoustic similarity to other words with before a voiceless consonant, per the traditional Canadian-raising system. Some researchers have argued that there has been a phonemic split in those dialects, and the distribution of the two sounds is becoming more unpredictable among younger speakers.
variation in final unstressed /ɪŋ/
General American speakers typically realize final unstressed , like at the end of
singing, as or, in a particularly casual style, . However, many speakers from California, other Western states including those in the Pacific Northwest, and the Upper Midwest realize final unstressed as when ("short
i") is raised to become ("long
ee") before the underlying is converted to , so that
coding, for example, is pronounced , homophonous with
codeine.
Weak vowel merger
The vowel in unstressed syllables generally merges with the vowel , so that the noun
effect is pronounced like verb
affect, and
abbot and
rabbit rhyme. The quality of the merged vowel varies considerably based on the environment but is typically more open, like , in word-final or
Open syllable word-initial positions (making
salon and
comma ), but more close and often more fronted, like , in other positions (making
patted or
padded and
minus ). (Despite phonetic variation within the latter vowel, the symbol is used consistently on this page.)
Vowels before R
R-colored vowels
The
and lett are merged as the sequence , a
schwa vowel plus , which can also be analyzed as a simple syllabic , though often phonetically transcribed as the
R-colored vowel . Therefore,
perturb, pronounced in British Received Pronunciation (RP), is (phonetically ) in General American pronunciation. Similarly, the words
forward and
foreword, which are phonologically distinguished in RP as and , are
homophone in GA: (or phonetically ). Moreover, what is historically , as in
hurry, merges to in GA as well, so the historical phonemes , , and are all
Phonemic merger before . Thus, unlike in most English dialects of England, is not a true phoneme in General American but merely a different notation of for when this phoneme precedes and is stressed—a convention preserved in many sources to facilitate comparisons with other accents.
Vowel mergers before R
Most North American accents are characterized by the mergers of certain vowels when they occur before
intervocalic . The only exceptions exist primarily along the East Coast.
-
Mary–marry–merry merger in transition: According to the 2003 dialect survey, nearly 57% of participants from around the country self-identified as merging the sounds (as in the first syllable of parish), (as in the first syllable of perish), and (as in pear or pair).
[Vaux, Bert and Scott Golder (2003). " How do you pronounce Mary / merry / marry?" The Harvard Dialect Survey. Cambridge, MA: Harvard University Linguistics Department.] The merger is largely complete in most regions of the country, the major exceptions being much of the Atlantic Coast and southern Louisiana.
-
Hurry–furry merger: The pre- vowels in words like hurry and furry are merged in most American accents to or a syllabic consonant . Roughly only 10% of American English speakers acknowledge the distinct hurry vowel before , according to the same dialect survey aforementioned.
[Vaux, Bert and Scott Golder (2003). " fl ourish ". The Harvard Dialect Survey. Cambridge, MA: Harvard University Linguistics Department.]
-
Mirror–nearer merger in transition: The pre- vowels in words like mirror and nearer are merged or very similar in most American accents. The quality of the historic mirror vowel in the word miracle is quite variable.
[Vaux, Bert and Scott Golder (2003). " the first vowel in "m iracle"". The Harvard Dialect Survey. Cambridge, MA: Harvard University Linguistics Department.]
-
Americans vary slightly in their pronunciations of R-colored vowels such as those in and , which sometimes monophthongizes towards and or tenseness towards and respectively. That causes pronunciations like for pair/ pear and for peer/ pier. Also, is often reduced to , so that cure, pure, and mature may all end with the sound , thus rhyming with blur and sir. The word sure is also part of the rhyming set as it is commonly pronounced .
-
Horse–hoarse merger: This merger makes the vowels and before homophones, with homophonous pairs like horse/hoarse, corps/core, for/four, morning/mourning, war/wore, etc. homophones. Many older varieties of American English still keep the sets of words distinct, particularly in the extreme Northeast, the South (especially along the Gulf Coast), and the central Midlands, but the merger is evidently spreading and younger Americans rarely show the distinction. This merger is also found in most modern varieties of British English.
-
"Short o" before r before a vowel: In typical North American accents (both U.S. and Canada), the historical sequence (a short o sound followed by r and then another vowel, as in orange, forest, moral, and warrant) is realized as , thus further merging with the already-merged ( horse– hoarse) set. In the U.S., a small number of words (namely, tomow, sy, sow, bow, and mow) usually contain the sound instead and thus merge with the set (thus, sorry and sari become homophones, both rhyming with starry).
Lists of monophthongs, diphthongs, and R-colored vowels
+ Pure vowels () |
|
| | b ath, tr ap, y ak |
| b an, tr am, s and (pre-nasal /æ/ tensing) |
| | | ah, f ather, sp a |
| b other, l ot, w asp (father–bother merger) |
| | b oss, cl oth, d og, off (lot-cloth split) |
| all, b ought, fl aunt (cot–caught variability) |
| | | g oat, h ome, t oe |
| | dr ess, m et, br ead |
| | l ake, p aid, f eint |
| | b us, fl ood, wh at |
| | about, oblige, aren a |
[Flemming, Edward; Johnson, Stephanie. (2007). "Rosa's roses: Reduced vowels in American English". Journal of the International Phonetic Association, 37(1), 83–96.] | ball ad, foc us, harm ony (weak vowel merger) |
| | k it, p ink, t ip |
| | | b eam, ch ic, fl eece |
happ y, mon ey, part ies (happy tensing) |
| | b ook, p ut, sh ould |
| | [ See under "Std US + 'up-speak'"] | g oose, n ew, tr ue |
+ |
|
| | b arn, c ar, p ark |
| | b are, b ear, th ere |
| b earing |
| | b urn, f irst, m urder |
| murd er |
| | f ear, p eer, t ier |
| f earing, p eering |
| | h orse, st orm, w ar |
h oarse, st ore, w ore |
| | m oor, p oor, t our |
| p oorer |
Terminology
History and modern definition
The term "General American" was first disseminated by American English scholar George Philip Krapp, who in 1925 described it as an American type of speech that was "
American West" but "not local in character". In 1930, American linguist John Samuel Kenyon, who largely popularized the term, considered it equivalent to the speech of "the North" or "Northern American", but, in 1934, "Western and Midwestern". Now typically regarded as falling under the General American umbrella are the regional accents of the West, Western New England, and the North Midland (a band spanning central Ohio, central Indiana, central Illinois, northern Missouri, southern Iowa, and southeastern Nebraska), plus the accents of highly educated Americans nationwide. Arguably, all
Canadian English accents west of
Quebec are also General American, though
Canadian raising and certain other features may serve to distinguish such accents from U.S. ones.
[Harbeck, James (August 2015). " Why is Canadian English unique?" BBC. BBC.] William Labov et al.'s 2006
Atlas of North American English presented a
scattergram based on the
of vowel sounds, finding the Midland U.S., the Western U.S., Western Pennsylvania, and Central and Western Canada to be closest to the center of the scattergram, and concluding that they had fewer
markedness dialectical features than other regional accents of North American English, such as New York City or the Southern U.S.
The Mid-Atlantic United States, the Inland Northern United States, and Western Pennsylvania were regarded as having General American accents in the earlier twentieth century but not by the middle of that century. Many younger speakers within the Mid-Atlantic region,[Fruehwald, Josef (2013). " The Phonological Influence on Phonetic Change". Publicly Accessible University of Pennsylvania Dissertations. p. 48. .] the Inland North,[Dinkin, Aaron (2017). " Escaping the TRAP: Losing the Northern Cities Shift in Real Time (with Anja Thiel)". Talk presented at NWAV 46, Madison, Wisc., November 2017.] and many other areas, however, appear to be retreating from their regional features towards a more General American accent. The regional accents (especially the r-dropping ones) of Eastern New England, New York City, and the Southern United States have never been labeled "General American", even since the term's popularization in the 1930s. In 1982, British phonetician John C. Wells wrote that two-thirds of the American population spoke with a General American accent.
Disputed usage
English studies William A. Kretzschmar Jr. explains in a 2004 article that the term "General American" came to refer to "a presumed most common or 'default' form of American English, especially to be distinguished from marked regional speech of New England or the South" and referring especially to speech associated with the vaguely-defined "Midwest", despite any historical or present evidence supporting this notion. Kretzschmar argues that a General American accent is simply the result of American speakers suppressing regional and social features that have become widely noticed and stigmatized.
[: 'The term "General American" arose as a name for a presumed most common or "default" form of American English, especially to be distinguished from marked regional speech of New England or the South. "General American" has often been considered to be the relatively unmarked speech of "the Midwest", a vague designation for anywhere in the vast midsection of the country from Ohio west to Nebraska, and from the Canadian border as far south as Missouri or Kansas. No historical justification for this term exists, and neither do present circumstances support its use... It implies that there is some exemplary state of American English from which other varieties deviate. On the contrary, it can best be characterized as what is left over after speakers suppress the regional and social features that have risen to salience and become noticeable.']
Since calling one variety of American speech the "general" variety can imply privileging and prejudice, Kretzchmar instead promotes the term Standard American English, which he defines as a level of American English pronunciation "employed by educated speakers in formal settings", while still being variable within the U.S. from place to place, and even from speaker to speaker. However, the term "standard" may also be interpreted as problematically implying a superior or "best" form of speech.[: " Standard English may be taken to reflect conformance to a set of rules, but its meaning commonly gets bound up with social ideas about how one's character and education are displayed in one's speech".] The terms Standard North American English and General North American English, in an effort to incorporate Canadian speakers under the accent continuum, have also been suggested by sociolinguist Charles Boberg.[Boberg, Charles (2021). Accent in North American film and television. Cambridge University Press.] Since the 2000s, Mainstream American English has also been occasionally used, particularly in scholarly articles that contrast it with African-American English.[Pearson, B. Z., Velleman, S. L., Bryant, T. J., & Charko, T. (2009). Phonological milestones for African American English-speaking children learning mainstream American English as a second dialect.][Blodgett, S. L., Wei, J., & O'Connor, B. (2018, July). Twitter universal dependency parsing for African-American and mainstream American English. In Proceedings of the 56th Annual Meeting of the Association for Computational Linguistics (Volume 1: Long Papers) (pp. 1415–1425).]
Modern language scholars discredit the original notion of General American as a single unified accent, or a standard English—except perhaps as used by television networks and other mass media.[Labov, William (2012). Dialect diversity in America: The politics of language change. University of Virginia Press. pp. 1–2.] Today, the term is understood to refer to a continuum of American speech, with some slight internal variation, but otherwise characterized by the absence of "markedness" pronunciation features: those perceived by Americans as strongly indicative of a fellow American speaker's regional origin, ethnicity, or socioeconomic status. Despite confusion arising from the evolving definition and vagueness of the term "General American" and its consequent rejection by some linguists, the term persists mainly as a reference point to compare a baseline "typical" American English accent with other World Englishes (for instance, see Comparison of General American and Received Pronunciation).
Origins
Regional origins
Though General American accents are not commonly perceived as associated with any region, their
phonology does have traceable regional origins: specifically, the English of the non-coastal Northeastern United States in the very early 20th century, which was relatively stable since that region's original settlement by English speakers in the mid-19th century. This includes western
New England and the area to its immediate west, settled by members of the same dialect community: interior
Pennsylvania, Upstate New York, and the adjacent "Midwest" or Great Lakes region. However, since the early to mid-20th century,
deviance away from General American sounds started occurring, and may be ongoing, in the eastern Great Lakes region due to its Northern Cities Vowel Shift (NCVS) towards a unique
Inland North (often now associated with the region's urban centers, like Chicago and Detroit) and in the western Great Lakes region towards a unique North Central accent (often associated with
Minnesota,
Wisconsin, and
North Dakota).
Theories about prevalence
Linguists have proposed multiple factors contributing to the popularity of a rhotic "General American" class of accents throughout the United States, largely focused on the first half of the twentieth century. However, a basic General American pronunciation system existed even before the twentieth century, since most American English dialects have diverged very little from each other anyway, when compared to dialects of single languages in other countries where there has been more time for
language change (such as the English dialects of England or
German dialects).
One factor fueling General American's popularity was the major demographic change of twentieth-century American society: increased suburbanization, leading to less mingling of different social classes and less density and diversity of linguistic interactions. As a result, wealthier and higher-educated Americans' communications became more restricted to their own demographic. This, alongside their new marketplace that transcended regional boundaries (arising from the century's faster transportation methods), reinforced a widespread belief that highly educated Americans should not possess a regional accent. A General American sound, then, originated from both suburbanization and suppression of regional accent by highly educated Americans in formal settings. A second factor was a rise in immigration to the Great Lakes area (one native region of supposed "General American" speech) following the region's rapid industrialization period after the American Civil War, when this region's speakers went on to form a successful and highly mobile business elite, who traveled around the country in the mid-twentieth century, spreading the high status of their accents. A third factor is that various sociological (often race- and class-based) forces repelled socially-conscious Americans away from accents negatively associated with certain minority groups, such as African Americans and poor white communities in the South and with Southern and Eastern European immigrant groups (for example, Jewish communities) in the coastal Northeast. Instead, socially-conscious Americans settled upon accents more prestigiously associated with White Anglo-Saxon Protestant communities in the remainder of the country: namely, the West, the Midwest, and the non-coastal Northeast.
Kenyon, author of American Pronunciation (1924) and pronunciation editor for the second edition of Webster's New International Dictionary (1934), was influential in codifying General American pronunciation standards in writing. He used as a basis his native Midwestern (specifically, northern Ohio) pronunciation. Kenyon's home state of Ohio, however, far from being an area of "non-regional" accents, has emerged now as a crossroads for at least four distinct regional accents, according to late twentieth-century research.[Hunt, Spencer (2012).
]
target="_blank" rel="nofollow"> "Dissecting Ohio's Dialects". The Columbus Dispatch. GateHouse Media, Inc. Archived from the original on September 28, 2021. Furthermore, Kenyon himself was vocally opposed to the notion of any superior variety of American speech.[Hampton, Marian E. & Barbara Acker (eds.) (1997). The Vocal Vision: Views on Voice. Hal Leonard Corporation. p. 163.]
In the media
General American, like the British Received Pronunciation (RP) and prestige accents of many other societies, has never been the accent of the entire nation, and, unlike RP, does not constitute a homogeneous national standard. Starting in the 1930s, nationwide radio networks adopted non-coastal Northern U.S. rhotic pronunciations for their "General American" standard.
The entertainment industry similarly shifted from a non-rhotic standard to a rhotic one in the late 1940s, after the triumph of the Second World War, with the patriotic incentive for a more wide-ranging and unpretentious "heartland variety" in television and radio.
Newscaster
Walter Cronkite exemplified the rise of General American in broadcasting during the mid-20th century.
General American is thus sometimes associated with the speech of North American radio and television announcers, promoted as prestigious in their industry, where it is sometimes called "Broadcast English", "Network English", or "Network Standard". Instructional classes in the United States that promise "accent reduction", "accent modification", or "accent neutralization" usually attempt to teach General American patterns. Television journalist Linda Ellerbee states that "in television you are not supposed to sound like you're from anywhere", and political comedian Stephen Colbert says he consciously avoided developing a Southern American accent in response to media portrayals of Southerners as stupid and uneducated.
See also
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List of dialects of the English language
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List of English words from indigenous languages of the Americas
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Accent reduction
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African-American English
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American English
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California English
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Chicano English
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English phonology
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English-language spelling reform
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Hawaiian Pidgin
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Northern Cities Vowel Shift
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Received Pronunciation
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Regional vocabularies of American English
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Standard Written English
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Transatlantic accent
Citations
Bibliography
Further reading
External links